Barbie di Milo

Barbie as Venus di Milo 


by Jocelyne Grivaud




[thanks to this post by Panos Michail, originally via]






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Remember older Barbie posts in this blog 


Barbie Athena, Barbie Aphrodite, Greek Princess Barbie, Barbie Medusa

Let's play: Ancient Greek Punishment

Dr Pippin Barr of Copenhagen University devised this old-fashioned game that fully lives up to its name. 

The good thing is you have an excellent selection of punishments and I can assure you it certainly feels like an ancient Greek punishment to play any one of them. 

Want to try your luck -or rather your patience?

Click HERE

(located the link thanks to P2 in Buzz and Cory Doctorow's original upload)

Sasek's Greece

Though as a rule I am not much interested in the way Greek antiquity is consumed by individual artists, I consider book illustration a different story. I believe many illustrators played a major role in forming the picture one bears in one's mind on what life in ancient Greece in its different periods looked like. When examining an illustrator's work one often answers many questions on established convictions, especially those which have been proven wrong but still hold strong in popular imagination. This is particularly evident in the way people (archaeologists and non-specialists alike) perceive the Minoan and Mycenaean world -in which I am personally more interested in. One cannot think of a Minoan palace without evoking Gillierons' images or think of a Mycenaean megaron without recalling Piet de Jong's colourful reconstructions. 

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Miroslav Sasek is a well known children's travel books illustrator, most famous for his "This is" series of books on several countries and cities of the world. In 1966 he published a "This is Greece" book with interesting iconography replicating several cliches related to Greece. The following photographs present this point colourfully. 

(all photographs reproduced here are via this SITE)

What is more interesting though is another Sasek book, published in 1961, called "Stone is not Cold" in which he used collages to incorporate photographs of ancient sculpture in his own humorous sketch settings. These sketches illustrate Greek and Roman sculpture photographs from the museums of London and Rome, which were obviously taken when Sasek travelled there to work on his "This is London" and "This is Rome" books. 

Given the fact that people often tend to refer to ancient Greek works of art as "sacred", Sasek's ingenious appropriations would easily be called "sacrilegious". 

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Want to know more about Miroslav Sasek and his books? Click HERE. 

Do I really need to comment?

Happy New Year everyone!


This is the first post for 2012. 

No basic theme really, just a cartoon strip on the incurably vivid imagination of archaeologists - or really what we often ask visitors to archaeological sites to do. 

Ancient Greek Christmas

You would think the title of this post combines two incompatible elements "ancient Greek" and "Christmas", but modern day kitsch never fails to amaze us. 

Want your Christmas tree with a touch of ancient Greek splendour? 
Why not choose this elegant Parthenon glass ornament for only 22,99 $?

(really want it? think again or click HERE)


or, better still, why not combine the Parthenon with a touch of the traveller's experience with this magnificent suitcase-shaped glass ornament for only 19,99 $

(want this one too? sure? then click HERE)


You could of course choose a relief version of the Parthenon...

(must have it? click HERE)


or settle for a pars pro toto with this piece of an Ionic column all christmasy-looking with its red bow

(can't live without it? click HERE)


Not christmasy enough? Perhaps have it in gold? 

(yours to order, if you click HERE)


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I know it's now too late to wish everyone a merry Christmas, but I'm just in time to wish you a Happy New Year!

Society Goddesses

Yevonde Cumbers Middleton (1893-1975), or Madame Yevonde, as she was better known, was an English photographer who pioneered the use of colour in portrait photography. Well-educated and an avid supporter of the women's rights movement, this independent lady set up her own photographic studio in London in 1914 being just 21 years old. She experimented with colour photography and the new Vivex technique and became well-known for her portraits of leading personalities of the day.  

During the 1930's Madame Yevonde shot a series of photographs, named "Goddesses" portraying well-known socialites of the day dressed up as mythological figures. 

According to Wikipedia:  

"Yevonde's most famous work was inspired by a theme party held on March 5, 1935, where guests dressed as Roman and Greek gods and goddesses. Yevonde subsequently took studio portraits of many of the participants (and others), in appropriate costume and surrounded by appropriate objects. This series of prints showed Yevonde at her most creative, using colour, costume and props to build an otherworldly air around her subjects. She went on to produce further series based on the signs of the zodiac and the months of the year. Partly influenced by surrealist artists, particularly Man Ray, Yevonde used surprising juxtapositions of objects which displayed her sense of humour."

April Aileen Freda (Leatherman) as Minerva/Athena

Mrs Donald Ross as Europa

Mrs Richard Hart-Davis as Andromeda

Lady Dorothy Etta Warrender (née Rawson, later Lady Bruntisfield) as Ceres/Demeter

Lady Alexandra Henrietta Louisa Haig as Circe

Lady Bridgett Elizabeth Felicia Henrietta Augusta Poulett as Arethusa

The Honorary Mrs James beck as Daphne

Mrs Edward Mayer as Medusa

The Honorable Mrs Bryan Guinness as Venus/Aphrodite

Lady Milbanke as Penthesileia

Mrs Anthony Eden as Clio

Dorothy, Duchess of Wellington as Hecate

Madame Yevonde, Self-portrait, National Portrait Gallery, London

(note the Hecate portrait over the frame) 

[via]

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The "Goddesses" photographs have been published in book form (see here) and recently exhibited at the PM Gallery and House in London - see an article in The Guardian here. 

A major exhibition on Madame Yevonde's work took place in the National Portrait Gallery, London in 1990 and a catalogue was published by R. Gibson & P. Roberts, Madame Yevonde: Colour, Fantasy & Myth, London 1990.

Photographs reposted via here & here.  

If you want to know more on Madane Yevonde see here and here

Last but not least, you may browse 290 photographs of Madame Yevonde in the National Portrait Gallery site - just click here

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P.S. Though as a rule the blog claims no copyright on any of its content, people reposting huge chunks of its posts, photographs, ideas, etc. without mentioning it as a source, should keep in mind that there is such a thing as "netiquette" or common courtesy which requires due attribution. 

Much like we (try to) do in Classics with referencing and quoting ;)

By the way, Madame Yevonde's most famous quote is "Be Original or  Die!"

Hair

In 2009 students from the Fairfield University College in Connecticut, under the supervision of their teacher Dr Katherine Schwab, worked on a very interesting project: 
the Caryatid Hairstyling Project.

[Students posing as Caryatids: Sandra Cimino, Dana Westrup, Amber Nowak, mara Giarratana Young, Caitlin Parker, Shannon Berger]

The six Caryatids in the south porch of the Erechtheion on the Acropolis wear long hair arranged in a variety of braids and patterns. The project aimed at testing whether these hairstyles were representing artistic convention or were in fact inspired by real hairstyles of the day. 

Dr Schwab working together with professional hairstylist Mixely Torres attempted to replicate these hairstyles working on six students with long thick hair in varying textures.
The result? 

"Not only was it possible to replicate the hairstyles of the renowned Caryatids, but the process itself yielded insights into hairstyling techniques both ancient and modern, as well as a way to enter the realm of antiquity. The Athenian Caryatid hairstyles provide a window into an ancient time and place when young women became part of their society through the manner in which their hair was worn. Equally, today these complex hairstyles form a connection between contemporary and ancient society while demonstrating how braids continue to fascinate and inspire contemporary trends in hair fashion."

The Caryatid Hairstyling Project was recorded and presented into a short DVD film, but one may watch the following instructive clip released on YouTube.






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Need more info? 


Start by visiting the Caryatid Hairstyling Project page here and read interesting interviews by Dr Schwab here and here.




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I've had the idea of presenting this project in the blog for a long time now, but strictly speaking this fell under the category of "experimental archaeology" rather than consuming Greek antiquity in a modern way. 

Well, thankfully, Berkeley student Celeste Jacobson-Ingram came to my rescue, after suggesting several examples of contemporary hairstyles that are evidently influenced by ancient Greek and Roman examples. 

[via]

[composite photograph courtesy of C. Jacobson-Ingram]